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Sections:
JENNIES AND OTHER SIDE STROKES MORE ABOUT JENNIES AND OTHER SIDE STROKES
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"Angle and Cue Delivery - part 1"
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I cannot dismiss Figs. 14 and 15 quite so
casually as this. The loser from hand off the
pyramid spot is far from easy to control in a
positional sense. It is possible to score the
pocket by a stroke distinctly more full on the
red than a true half-ball should be, when the
red is almost sure to run into bad position
near the side cushion. The true half-ball,
which brings the red off the side cushion and
over the middle pocket, demands very free
and accurate cueing. You should persevere
with this, it will be most useful to you as
your game improves; for the loser off the
pyramid spot, or somewhere near it, is often
played badly by amateurs who make their
forty and fifty breaks at times. They will
play more thickly on the red than they should,
and thus fail to bring that ball off the two
cushions at the correct angle to produce
a satisfactory leave.
As regards Fig. 15, this has been justly called the key-stroke of billiards. It is a great test of smooth and true cueing to make this long loser and bring the red into position off three cushions. Getting the red off the third cushion is the problem, and nothing but free cueing will solve it. As I have stated, you can make this stroke by placing your ball 7 1/2 inches from the centre spot of the baulk line in the direction of the pocket you are playing for. The stroke then becomes a plain half-ball, and can be made to perfection by striking your ball truly in its centre. Tom Newman plays the stroke in this way, but I fancy that Willie Smith spots his ball a shade nearer the centre of the baulk-line, and strikes it rather above its centre. My way of playing the stroke is by placing my ball as far back in baulk as I can, which enables me to gauge the angle better and gives a longer flight to the cue-ball before the red is hit. I place my ball 22 inches from the baulk cushion and 26 inches from the side cushion, thus bringing it to the spot marked by a cross in Fig. 15.
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