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Sections:
JENNIES AND OTHER SIDE STROKES MORE ABOUT JENNIES AND OTHER SIDE STROKES
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"Making the Bridge"
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Stand at the table and hold your cue as I
have described. Bend over, extend your left
arm freely and boldly and arch your left hand
to make the familiar bridge over which your
cue must slide. In contrast to your cue hold, which can scarcely be too light and
lissome, your bridge-hand must be firm and
steady. By pressing your thumb against the
side of your forefinger, you make a kind of
ledge or groove over which your cue moves
as you strike the ball. This should be as
rigid as if molded in concrete, as the slightest
shake or wobble turns the cue at that critical
fraction of time when your ball is struck, and
then anything may happen. I do not think
it is much use saying more about making a
bridge, important as it is. Hands differ so
very much that what might be perfect detail
for one man would be worse than useless
to another. The one and only thing that
matters is to get a firm support for the cue to
work upon, and if your bridge gives you this,
there is nothing the matter with it. Sometimes you will see players slide their cue under the forefinger of their bridge hand, the
finger being looped to allow this to be done.
This bridge is very useful when playing slow screw strokes at close quarters, and some very fine players use it for big screw-backs, for long range pots at top speed, and for a few other individual strokes which require exceptional execution. Speaking generally, it can be said that this bridge gives great accuracy but is apt to cramp cue delivery. Therefore, I do not advise you to attempt to do anything with it until you are perfectly at home with the ordinary bridge. Then, if you so desire, you can experiment with the other one, and gradually work it into your game as you find it helpful. |
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