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Sections:
JENNIES AND OTHER SIDE STROKES MORE ABOUT JENNIES AND OTHER SIDE STROKES
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"Variation in Cue Line and Line of Aim"
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Thus, you see, the line of the cue varies
widely in three strokes played to hit the object-ball in exactly the same place, and in
only one of these strokes, the plain half-ball,
does the line of the cue coincide with the line
of aim. This element of variation is constantly at work in billiards, and ignoring it
is one of the commonest of mistakes. Innumerable strokes are missed through attempting to get the cue too near to the line
of aim when playing strokes demanding the
use of side, and there is also a constant tendency to mix the line of aim with the line
of the cue when sighting these strokes. These
faults are not readily apparent to the absolute
beginner, who finds the theory of them rather
puzzling. But the player who makes his
thirty or forty breaks fairly often, can see
these faults if he takes the trouble to think
of what must be happening when so many
of his strokes go wrong, if played with pronounced side on the cue-ball. The remedy is
very simple-it is just this-never forget that
the line of aim is always through the centre of
your ball to the point aimed at, and that it
is quite unaffected by what the line of your
cue may be when you are imparting side to
your ball.
I find that the way to avoid faults in sighting is to begin by taking a rapid general survey, which decides where you want to hit your cue-ball to produce a given effect from the contact you estimate to be necessary with the object-ball. Then you align your cue on the spot where you desire to hit the cue-ball, keep your cue quite still, and fix your eye on the object-ball, as you actually make your stroke. This seems a lot to think about, and makes more show on paper than it does in actual play. In time, the whole thing becomes almost subconscious, but it is well worth analysis when faults have to be detected and checked. |
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