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Sections:
JENNIES AND OTHER SIDE STROKES MORE ABOUT JENNIES AND OTHER SIDE STROKES
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"Wisdom in Choice of Strokes"
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Billiard enterprise is not confined to the
purposeful tackling of double-baulks. It is
evidenced in other
ways to greater
profit. Figure 46
shows what I mean.
The red ball is
close to the middle
pocket, the cue ball is in hand, and
the red is so favorably placed that
you can do almost
what you please
with it. You can
go in-off it, or cut
it into the middle
pocket, and you
can make the in-off
in many ways.
Usually, even
among amateurs
who ought to play better billiards, the
red loser is made slowly with the idea of
dribbling the red over the top pocket, thus
leaving it somewhere in the vicinity of the
cross in my diagram. This is a bad stroke,
simply because a very much better one can be made if you are enterprising enough to
play it. Instead of placing your ball on the
end of the baulk-line, and crawling in-off to
send the red ball slowly up towards the top
pocket, you should spot your ball as shown in
my diagram, and play fully enough on the
red to follow through into the pocket, playing
with freedom enough to bring the red into
position off the side and top cushions. Here,
yet again, it is a matter of letting the cue do
the work. No side is required on the cue-ball.
It is only necessary to hit that ball correctly
a little above its centre, or even dead centrally if your cueing is good enough, and you
can make this lucrative hazard with supreme
ease. Do so, and then try the other way.
Try each method six times in succession, and
you will see for yourself how much better it
is to play the shot in the manner I advise.
Very probably, if the white were near the billiard spot, it might pay you to be enterprising enough to cut the red in the pocket instead of going in-off it. If you do this, you should have ideal spot-end position, which you will utilize to get back to the open game by the shortest and most profitable route if you take my advice. The reason why you may find this winning hazard pay better than the loser is because the white lies near the billiard spot, where it is likely to be in the way if you attempt a break of red losers. There is not much in it, but we all like a change at times, and if you feel like putting the red down under the circumstances I have described, by all means do so. Incidentally, this is a favorite scoring position with Willie Smith. When he has a leave like that illustrated in Fig 46, and the white near the billiard spot, sometimes he will pot the red, sometimes he will go in-off it-I believe he follows the whim of the moment. He can well afford to do so, as either stroke leaves him a break building position he can handle supremely well.
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